FilmmakerIQ.com: Genius Infographic

FilmmakerIQ.com

Genius Infographic Mar 10th 2013, 05:00

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MOVIEHOLE: It won’t be Evil Dead 4, it’ll be Army of Darkness 2!

MOVIEHOLE Movie, TV & Entertainment News | Film, DVD & Blu-Ray Reviews | Celeb Interviews | Movie Trailers | Freebies

It won't be Evil Dead 4, it'll be Army of Darkness 2! Mar 10th 2013, 04:08 Even with a remake of “Evil Dead” headed to cinemas, producer Sam Raimi hasn’t given up on his dream to do a third sequel to the original film – with star Bruce Campbell reprising his role as Boomstick-yielding ‘Ash’. BUT how does Raimi do an “Evil Dead 4″ (a third sequel to his original horror classic) when there’s an “Evil Dead” remake on the way in the next couple of weeks? Won’t two franchises carrying the same name, spooling off at the same time, confuse people? I’d have thought so, too. Until today. And the solution is actually pretty logical. Very logical, actually. He doesn’t call the new film… “Evil Dead 4″. Instead, if Raimi does put pen to paper on the new film (and at this stage he’s only got an idea for one, he hasn’t actually started writing a script) it’ll be “Army of Darkness 2″ that brothers Sam and Ivan Raimi put on the title page. “Army of Darkness” was, of course, the second sequel to Raimi’s “Evil Dead”. The 1993 film transplanted ‘Ash’, the hero from the ‘Cabin’ (in the “Evil Dead” movies) to medieval times where he’s forced to battle all sorts of stop-motion monsters. Instead of returning to the ‘Cabin’, and rather than following the template of not only the first two films in its series but also the remake, the fourth ‘Evil Dead’ will stay put in medieval times. It’ll be… “Army of Darkness 2″. (Meaning the “Evil Dead” remake can freely go off and have it’s fun, franchisey-wise, without having to worry about the original OG coming back to rain on its parade.) “That would be ‘Army of Darkness 2,’” Producer Robert Tapert tells Coming Soon. “Everybody calls it ‘Evil Dead 4′ but ‘Army of Darkness’ wasn’t called ‘Evil Dead’ anywhere except by the fans.” That’s true. Though it was a sequel to “Evil Dead 2″, “Army of Darkness” was released and marketed as a stand-alone picture (in most cases, anyway; you will find that some DVD copies carry the “Evil Dead” tag and I’m positive a couple of cinemas, back in the day, had it on the marquee as “Evil Dead 3″). Still, Bruce Campbell, who would reprise ‘Ash’ for “Army of Darkness 2″ if it goes ahead, isn’t convinced it’ll ever see the light of day. As blunt as ever, the legendary B-actor says the idea likely won’t get much further than it has. “Sam threatens this every six months,” he told Coming Soon. “I’ve heard this a thousand times, because in the back of his mind, he never wants to let go, because he loved making these movies. We all loved making them together. They were a nightmare to make, very difficult, but they lasted the test of time, so he’s not going to let that go, and I’m never going to say ‘no.’ It’ll be me and a walker fighting some other old guy. But that’s what he does and who knows? It may happen.” Raimi had said in recent interviews that he and brother Ivan Raimi may write, erm, “Army of Darkness 2″ over their coming Summer break. Whether they actually do or not, is anyone’s guess? Meantime, there’s a sequel to the remake on the way too. At last night’s screening of “Evil Dead” at SXSW, director Fede Alvarez and producer Bruce Campbell confirmed that an “Evil Dead 2″ is already in the writing stages.

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MOVIEHOLE: Evil Dead reviews are in and they’re glowingly positive!

MOVIEHOLE Movie, TV & Entertainment News | Film, DVD & Blu-Ray Reviews | Celeb Interviews | Movie Trailers | Freebies

Evil Dead reviews are in and they're glowingly positive! Mar 10th 2013, 03:58 While those outside of Austin wait in anticipation for more news on an “Evil Dead 4″ (the third sequel to the original trilogy), SXSW is only concerned with the “Evil Dead remake – and rightly so, it’s apparently fantastic! If my script review last year didn’t suggest as much, the Fede Alvarez directed remake of Sam Raimi’s horror classic is a very frightening, very entertaining film – in it’s own right. Those who attended the film’s premiere at the festival have voiced their opinion, and there’s not a negative line in any review. The Hollywood Reporter says : Blood-drenched” barely begins to describe Fede Alvarez’s remake of Evil Dead, a gore-for-broke affair that strips the flesh off Sam Raimi’s cult-beloved comic-horror franchise and exposes the demons at its core. The presence of Raimi, original collaborator Rob Tapert, and star Bruce Campbell as producers should give the faithful permission to attend what would otherwise smell like a shameless exploitation of the 1981 film, but the high production values and nonstop action offered here should also please younger genre fans who’ve never bothered to rent it. From the initial attack on Mia — the infamous “tree rape” scene — to the literal rainstorm of blood that accompanies the climax, Evil Dead delivers satisfyingly disgusting effects that serve an ever-accelerating action pace. The only respite from the gore comes in those treacherous moments when one of the possessed stops spitting threats and blood to speak in the wounded, innocent voice of the human who used to inhabit its body. The flip-flopping between “why are you hurting me?” and “I will rape your soul in Hell!” is one of the original film’s gags — like Raimi’s camera, dodging trees as it offers a breakneck POV shot of demons swooping in to inhabit unwitting mortal shells — that Alvarez executes perfectly in this unasked-for but entirely welcome remake. Collider says : If your goal is to give the people exactly what they want, then you better give them the best you've got otherwise it's obvious pandering. Fede Alvarez' remake of Evil Dead does not pander. It fiercely grabs the audience by the throat, and vomits as much blood and viscera as we can stomach it, and not everyone will be able to stomach what the horror flick has to offer. Alvarez and cinematographer Aaron Morton set a creepy vibe, but their primary interest is in gleefully laying out the implements of destruction. "We know what you came for," the film says with a devilish smile. And then it lets loose violence beyond all reason. The fear eventually fades, the emotions recede into the background, but Evil Dead delivers on the bloody mayhem that needs far more than an MPAA rating. It needs a warning label. By the metric he has laid out for his picture's goals, Alvarez' film is a wild success. It's a crowdpleaser that will leave gore-hounds stuffed, but we should all be somewhat shaken by the gruesome feast Evil Dead asks us to devour. Variety says : The rare remake that likely will be enjoyed most by diehard fans of its predecessor, "Evil Dead" often comes off as the cinematic equivalent of a cover-band concert tribute to a supergroup's greatest hits — albeit with a lot more gore. First-time feature helmer Fede Alvarez's blood-soaked reprise of Sam Raimi's franchise-spawning low-budget shocker, "The Evil Dead," boasts way better production values than the penny-pinching 1981 original and conceivably could delight genre fans who have never seen the first version or its previous remakes/sequels. But it's bound to play best with those who catch Alvarez's many wink-wink allusions to Raimi's pic. Bloody Disgusting says : It's even gorier than you're expecting. I seriously don't have a clue as to how they wrangled an "R" rating here. Blood, pus, bone fragments, limbs and brains are flung around with playful abundance and the result is both punishing and exhilarating… This film doesn't condemn its audience, it exalts it – and as a result it's able to achieve a sustained symphony of carnage that energizes rather than exhausts. Crave Online says : Fede Alvarez's Evil Dead is a film that sits alongside Evil Dead 2 and Army of Darkness as better than the original The Evil Dead. To be fair, there have now been three previous movies that played with a tone of outrageous violence and macabre humor, but the lessons were well learned. Alvarez favored The Three Stooges a little less than Raimi, but it is still so Evil Dead.

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MOVIEHOLE: Another Star Trek Into Darkness Teaser Trailer!

MOVIEHOLE Movie, TV & Entertainment News | Film, DVD & Blu-Ray Reviews | Celeb Interviews | Movie Trailers | Freebies

Another Star Trek Into Darkness Teaser Trailer! Mar 10th 2013, 04:19 No doubt released to steer some attention away from the well-received “Evil Dead” remake and back towards another of 2013′s more anticipated franchisey flicks, “Star Trek Into Darkness”, Paramount released another teaser for the latter over the weekend. Suggesting there’s a lot more humour in the sequel to J.J Abrams’ space-set adventure flick than the first teaser indicated, this new one plays heavily on the amusing banter between the lead characters. It also, of course, reminds viewers they’re in for a visually-spectacular action-packed rollercoaster ride, too! Personally, really looking forward to this. Or seeing Alice Eve in Starfleet Uniform. One or the other. In Summer 2013, pioneering director J.J. Abrams will deliver an explosive action thriller that takes "Star Trek Into Darkness." When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

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Bloody Disgusting: [SXSW '13] Corey Mitchell’s Day 1: The World Premiere of ‘Evil Dead’!

Bloody Disgusting Your #1 Source For All Things Horror

[SXSW '13] Corey Mitchell's Day 1: The World Premiere of 'Evil Dead'! Mar 10th 2013, 04:00 Evil Dead baby! Forget Jim Carrey and Steve Carrell parading down the red carpet at the Paramount Theater in lovely downtown Austin promoting their little magician flick. For the 1,200 or so blood-thirsty ravenous horror fans circling the entire city block, it was all about the Evil Dead last night. When word first leaked out that the remake of the The Evil Dead was indeed going to happen, the internet exploded. Disgust, disdain, and dastardly dismemberment were the order of the day. The main question on everyone’s split bifurcated tongues was simply, “Why?” Why the fuck would you mess with a classic horror film that has meant so much to so many and truly helped usher in a new era of ultra-intense gore and insanely creative shoestring budget filmmaking? For many, like me, it was akin to cinematic treason. Now let’s be honest here. Most of you never saw the original The Evil Dead on a big screen during its initial theatrical run way back in 1981. Some of you, like me, may have been lucky enough to catch the brilliant 1987 remake Evil Dead II: Dead By Dawn on the big screen during a very, very limited run (Alameda Theater in Houston, Texas with about seven other brave fanatics in the audience!). The less said about ED III: Army of Darkness, the better. At least for this article. In reality, most of you were privy to the hellish wonders of the Necronomicon via one of the many versions on VHS or DVD and in the safety and comfort of your own home. While still awesome, not the same thing as sitting in a crowded theater with a bunch of strangers who have all purposefully chosen to spend their hard-earned money to have the shit scared out of them. It’s obvious my reticence at the announcement of the ED remake was palpable. That is, until the unholy triumvirate of director Sam Raimi, producer Rob Tapert, and human punching bag and star Bruce Campbell’s names were attached (detached?) to this updated rebirth. Now I am not one to dismiss horror remakes out of hand. Classics such as John Carpenter’s The Thing and David Cronenberg’s The Fly being the two most obvious and successful examples of remakes done right. More recently, I actually enjoyed The Last House on the Left remake (until the microwave scene at least) and I Spit on Your Grave. So, I approached the world premiere of ED with an open mind. My open-mindedness was expanded even further after I was able to ask several of the key participants in the new version about the pressure of re-making a true genre classic. It’s one thing to remake a reviled lesser film such as I Spit on Your Grave (though I am a big “fan” of the original), than it is to tackle a monster like ED. I wanted to make sure that the new blood valued the original as much as I still do, and that they were aware that there are, obviously, going to be a shit-ton of skeptics out there. Naturally, everyone involved sang the praises of the original, while stressing that theirs was a new entity altogether. So far, so good. Then, a quick chat with Rob Tapert drove the point home that he, Campbell, and Raimi simply felt that the time was right to unlock ED upon a new generation of horror fans. Red carpet done, time to mosey on in and grab a seat inside the Paramount. The house was packed. Bruce Campbell was in attendance, as were Rob Tapert, new director Fede Alvarez, and the five lead actors, Shiloh Fernandez, Jane Levy, Lou Taylor Pucci, Jessica Lucas, and Elizabeth Blackmore. SXSW Senior Programmer Jerod Neee came out, giddy as hell, and said picking ED was a no-brainer. The crowd was pumped, the excitement was tangible, and then… …we get a period piece prologue that held no tension whatsoever for me. The reveal was obvious and the much-ballyhooed claim that “this is all practical effects!! No CGI!!” is absolute bullshit. I guess they made that widely reported claim before they tacked on this wholly unnecessary intro. Sadly, my enthusiasm was immediately dampened. Of course, the audience was lapping it up and cheering. That’s part of the fun of attending film festivals — hanging with other film lovers and cheering on the films you are all witnessing together. Being a hardcore horror fan is soooo much different though. We are enthusiastic, pumped, ready to accept anything as long as it is well-written, earnest, and most important of all, scary! The next 45 minutes did not fare much better. So concerned about differentiating itself from the original film, the ED remake spends far too much time establishing a fairly interesting reason for the presence of five seemingly smart young adults in a cabin in the woods. The way this is achieved is by turning Mia (Levy) into a drug addict who is trying to kick, and her friends are determined to not let her leave until she makes it through the initial withdrawals. A fairly creative way to keep everyone intact and isolated. As such, the first act only serves to show that actresses Levy, Lucas, and Blackmore, and to a lesser extent, Fernandez, aren’t quite up to snuff. Most important is Levy’s task of playing a convincing hard-core drug addict who is agonizing while going through the most painful experience OF her life. She doesn’t pull it off and opts for the stereotypical junkie tics and not much else. The lone exception, however, is Lou Taylor Pucci. He is cynical, bitter, and dismissive, and also the funniest character in the film. The tortures he endures in the final third of the movie bring to mind Bruce Campbell’s days as Ash, but to the nth degree. It’s this amped up attitude throughout the final third of the film that almost saved it for me. As with the first two EDs, the remake pumps up the gore to absurd levels and is truly the main calling card for this version. While the make-up jobs are stellar, I had difficulty getting over the Regan-esque demonic voices and the Samara-like wet hair. Also, so much of the film is shoot way too dark making it extremely difficult to fully appreciate the make-up. Frankly, not being able to see it at times made things less scary. Ah, scary. The big stickler for any hard-core horror fanatic. We’ve seen so many horror films that we know all the beats, all the tricks, and are seldom, if ever, scared any more. In lieu of good scares, I seek out films that fill me with a sense of dread. Unfortunately, ED does neither. I actually only jumped one time during the entire film after a car crash scene. Otherwise, it’s the same old loud noise scares and jump scares, just like the ones that have ruined so many mainstream horror films during the last 15 years or so. On the plus side, the effects were pretty sweet. They’re not scary, at all. But I can absolutely appreciate the artistry on display. Does the new ED appease old school ED fans like me? They try to by incorporating several iconic images from the first two original films such as Raimi’s always-present Oldsmobile, the skeleton necklace, and the chainsaw, amongst several others. But they almost feel a bit too forced. If you’re going to go out to the world and boldly assert that you are Frankensteining your own creation, then do it all the way. When I watch a horror film, I want to be transported for 90 minutes into an ethereal hellscape that makes me appreciate my life even more. With the remake of Evil Dead, I mainly sat in my seat and simply thought, “Why?” That question was answered during a lengthy, late-night Q&A by none other than Mr. Bruce Campbell his own bad self. He said that during the filming of the original that he, Raimi, and Tapert could not afford to buy a pack of gum between them at the end of the day. I appreciated his honesty. He also added that the old fans need to move on and unlock hell’s door for a new generation. “Besides,” he added, “you can dust off your DVD any time you like and watch the original.” Seeing this remake makes me want to do just that. (Read Evan Dickson’s Evil Dead review by clicking here.) Corey Mitchell writes best-selling true crime books, watches and writes about horror movies, and listens to and writes about heavy metal. He is also the co-founder and director of the Housecore Horror Film Festival and co-author of Philip Anselmo’s upcoming autobiography. Media files: 77-evil-dead-redband-trailer-2.png evil-dead-poster-hi-res 2-5skullrating 1-evil-dead-month

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/Film: The /Filmcast: Bonus Ep. – The Perks of Being a Wallflower (GUEST: DC Pierson, author of Crap Kingdom)

/Film Movie News and Reviews This feed is for non commercial use. Content Copyright Slashfilm.com.

The /Filmcast: Bonus Ep. – The Perks of Being a Wallflower (GUEST: DC Pierson, author of Crap Kingdom) Mar 10th 2013, 04:00 In the bonus episode, Dave, Devindra, and DC Pierson review The Perks of Being a Wallflower. Check out DC Pierson’s new book, Crap Kingdom. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Download or Play Now in your Browser: Subscribe to the /Filmcast:   New Images of Nicholas Hoult in ‘Warm Bodies,’ Amanda Seyfried in ‘Gone,’ Ethan Hawke in ‘Sinister’ First Look: Emma Watson in ‘The Perks of Being a Wallflower’ Johnny Simmons Added to ‘The Perks of Being a Wallflower’ and ’21 Jump Street’ Casting Bits: Nina Dobrev in ‘The Perks of Being a Wallflower;’ Billy Bob Thornton in ‘Baytown Disco;’ Alex Russell in ‘Chronicle’ Mae Whitman Joins ‘The Perks of Being a Wallflower’ Emma Watson and Logan Lerman to Star in 'The Perks of Being a Wallflower'

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Headlines from Hitfix.com: Trailers you might have missed: 'After Earth,' 'The Bling Ring,' 'Iron Man,' and more

Headlines from Hitfix.com

Trailers you might have missed: 'After Earth,' 'The Bling Ring,' 'Iron Man,' and more Mar 10th 2013, 00:50 In this installment of trailers you might have missed: Will Smith and son Jaden struggle to survive a hostile planet in M. Night Shyamalan's "After Earth," Emma Watson and Sofia Coppola team to tell the tale of "The Bling Ring," the Wolf Pack returns in "The Hangover Part III," things get personal for Robert Donwey Jr.'s Tony Stark in "Iron Man 3" and more.

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Headlines from Hitfix.com: Recap: 'Saturday Night Live' – Justin Timberlake

Headlines from Hitfix.com

Recap: 'Saturday Night Live' – Justin Timberlake Mar 10th 2013, 03:45 HitFix's Ryan McGee recaps the March 9th episode of "Saturday Night Live", featuring host/musical guest Justin Timberlake.

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Entertainment New: Lifestyle, Sports & Celebrities - Businessweek: Mattel's Branded Doll Cafes: Barbie and American Girl

Entertainment New: Lifestyle, Sports & Celebrities - Businessweek Page2RSS Monitored Page: Entertainment New: Lifestyle, Sports & Celebrities - Businessweek (http://www.businessweek.com/lifestyle/entertainment)

Mattel's Branded Doll Cafes: Barbie and American Girl Mar 10th 2013, 03:18 Mattel's Branded Doll Cafes: Barbie and American Girl We compare the new Barbie Cafe in Taiwan to another doll-themed eatery, the American Girl Cafe in the U.S. Entertainment Improv Theater Boom Chicago Thrives in Amsterdam How the improv comedy venue went from a goofy lark to serious business The Papal Conclave May Be the Most Hack-Proof Election on the Planet Yes, the Financial System Is Rigged. Why Shouldn't You Profit From That Knowledge? Five Military Cuts That Would Fix Sequestration This post has been generated by Page2RSS

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Hollywood Elsewhere: A Big Deal

Hollywood Elsewhere Movie news and opinions by Jeffrey Wells

A Big Deal Mar 10th 2013, 02:45

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Hollywood Elsewhere: Judd’s Greatest Role

Hollywood Elsewhere Movie news and opinions by Jeffrey Wells

Judd's Greatest Role Mar 10th 2013, 03:43 Three weeks ago N.Y. Times reporter Trip Gabriel reported that the liberal-minded Ashley Judd is probably going to run against Mitch McConnell, the blustery, Obama-hating Senate Minority Leader, for U.S Senator from Kentucky. Today the well-sourced Howard Fineman is reporting the 44 year-old Judd “has told key advisers and political figures that she is planning to announce her candidacy for U.S. Senate this spring. Fineman hears that Judd “has told one close ally that she plans to announce her run for the Democratic nomination for the 2014 race ‘around Derby’ — meaning in early May when the Kentucky Derby brings national attention to Louisville and the Bluegrass State.” Judd is an ardent Obama-supporting progressive on most social issues, which doesn’t exactly make her a natural among Kentucky’s conservative-leaning voters. “But [she] was born to campaign,” writes Fineman. “A fighter by nature, she has a quick wit and the ability to raise far more money — not to mention engender more free national and local media — than all of McConnell's past Democratic foes put together. She is fearless, and would not necessarily lose a bar fight if she got into one, which she is about to do.”

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Digg Top Stories: Why Rats Sniff Each Other

Digg Top Stories Digg - What the Internet is talking about right now

Why Rats Sniff Each Other Mar 9th 2013, 17:57 But new research shows that the act of sniffing itself might serve its own social function, allowing rats to reaffirm their hierarchical status and maintain order.

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/Film: Cool Stuff: Kevin Tong’s ‘Sights Unseen’ Exhibit Showcases The Process Behind Movie and Music Posters

/Film Movie News and Reviews This feed is for non commercial use. Content Copyright Slashfilm.com.

Cool Stuff: Kevin Tong's 'Sights Unseen' Exhibit Showcases The Process Behind Movie and Music Posters Mar 10th 2013, 03:00 Kevin Tong‘s Sights Unseen art exhibit is like when Carrie goes nuts on Homeland and puts up a huge bulletin board of work. It’s overwhelming and blinding, but totally genius. Tong, one of the most well-respected and talented screenprint artists working today, has created an exhibit not just for movie fans. It’s for everyone. Comprised of over 200 drawings from the entire course of Tong’s career, the exhibit hits like a ton of bricks. It’s difficult to believe he’s assembled this much work in one space. As you begin to explore the nooks and crannies of the gallery, you’ll find beautiful movie pieces, music pieces and more general art pieces that Tong created on the way to larger, more commercial work. It’s one of those exhibits fans will have to explore again and again because they’ll find something new and exciting every single time through. Tong has done movie posters for Mondo, Gallery 1988, Spoke Art, worked for bands like Phish, The Black Keys, Bon Iver and many more. But all of it started with these drawings and seeing them as a whole is not only to see the arc of an artist’s career, it spotlights an evolving style and ideas that are radically out of the box. Sights Unseen is currently on display at the Phone Booth Gallery in Long Beach, CA through April 3. Below, we’ve captured just a few of the movie and pop culture related pieces. Here’s a panorama of the entire space to give you an idea of its awesomeness. Click for a bigger view. The gallery is located at  2533 East Broadway, Long Beach, CA. Visit phoneboothgallery.com for more info. And here’s a very small sampling of the work. These pieces range in price from $50 to $1000 but most of the pieces in the show are around $200 and vary in size and shape. Mouse over each for a better description. There’s also this awesome screenprint that OMG Posters debuted as well as a few other surprises. Most of these were turned into screenprints that we featured on the site. Here are some examples: Fight Club, Sex Bob-Omb, Forbidden Planet, Being John Malkovich. If you’re in Long Beach, definitely check out this gorgeous exhibit. Or keep it locked to Phone Booth’s Facebook to see more of the show online. Page 2: X-Men, The Big Lebowski 2, Kevin Smith, Lost, Smallville, Rango, Superman, Elton John Page 2: Superman, James Cameron, Spider-Man, Tyler Perry, X-Men, Christopher Nolan, The Big Lebowski 2 Cool Stuff: Complete Crazy4Cult 3D Art Preview Exclusive: Justin White’s ‘Rated G’ Art Show – Your Favorite Movies Reimagined As Animation Cels Cool Stuff: Edgar Wright Triple Bill Mondo Poster By Kevin Tong Cool Stuff: Typographic Movie Posters by Jerod Gibson

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