Sunday, October 13, 2013

Hollywood Elsewhere: Smashed

Hollywood Elsewhere
Movie news and opinions by Jeffrey Wells 
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Smashed
Oct 13th 2013, 23:15, by Jeffrey Wells

Burton and Taylor, the 90-minute BBC America drama that premiered last summer in England and will air on Wednesday, 10.16, played last night at the Hamptons Film Festival. Helena Bonham Carter, who plays Elizabeth Taylor on the downslide, made an appearance at the screening. The film is basically about (a) the volatile, twice-married-and-divorced couple (Taylor, Richard Burton) costarring in a stage presentation of Noel Coward‘s Private Lives in ’83 — a near-debacle and (b) the ravages of booze upon Taylor, if only by implication. Nobody is trashing the film. It seems to have played well enough. A friend admired Dominic West‘s performance as Burton. Definitely better than Lindsay Lohan‘s Liz and Dick, everyone is saying.

All stories about alcohol bringing grief into people’s lives are, I feel, inherently boring because it’s always the same syndrome. Taylor’s alcoholism was fairly acute 30 years ago. In the below clip she tries to goad Burton into drinking while he’s on the wagon. Consider these excerpts from Burton’s diary, included last February in an Express article by Anna Pukas, basically about the Private Lives period:

“Burton noted that Taylor had yet to read the play [at the first rehearsal]. He wrote: ‘ET still drinking. Wine only, she says. ET bad. Couldn't even read the lines properly. ET as exciting as a flounder temporarily. This is going to be a long, long seven months.

"’ET beginning to bore which I would not have thought possible all those years ago. How terrible a thing time is."

"’ET only 15 minutes late but then spent 15 minutes more doing her eyebrows. She stinks of garlic — who has garlic for breakfast? She's also on something or other because there are lines she can't say at all. Very worrying. Tells me twice an hour how lonely she is."

“Things did not improve. Accustomed to being able to do retakes, Taylor didn't see the point of rehearsing. ‘Ran through second act with ET…abysmal,- Burton wrote on 3.20.83. ‘She was quite crocked and couldn't even read the lines let alone remember them. She's such a mess."

Booze is basically a very dull dramatic element.

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NYT > Movies: ArtsBeat: Male Lead Drops Out of ‘50 Shades of Grey’

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ArtsBeat: Male Lead Drops Out of '50 Shades of Grey'
Oct 13th 2013, 22:49, by By ADAM W. KEPLER

The actor Charlie Hunnam has dropped out of the film adaptation of E. L. James's best-selling novel because of a scheduling conflict, according to a statement released by Universal Pictures.

    






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Entertainment News Headlines — Yahoo! News: Agent: Pulitzer-winning novelist Hijuelos dies

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Agent: Pulitzer-winning novelist Hijuelos dies
Oct 13th 2013, 23:28

FILE - This Sept. 7, 2000 file photo shows author Oscar Hijuelos at a reception for the Hispanic Heritage Awards in Washington. Hijuelos, a Cuban-American novelist who won a Pulitzer Prize for his 1989 novel NEW YORK (AP) — Oscar Hijuelos, a Cuban-American novelist who won a Pulitzer Prize for his 1989 novel "The Mambo Kings Play Songs of Love" and whose work often captured the loss and triumphs of the Cuban immigrant experience, has died. He was 62.


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TheWrap: How ‘Fifty Shades of Grey’s’ Charlie Hunnam Casting Debacle May Help the Film

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How 'Fifty Shades of Grey's' Charlie Hunnam Casting Debacle May Help the Film
Oct 13th 2013, 22:48, by Jeff Sneider

Was Charlie Hunnam’s surprise exit from “Fifty Shades of Grey” a result of performance anxiety?

It sure seems like it, with no one in Hollywood buying the statement that Hunnam’s “immersive TV schedule” didn’t allow him “time to adequately prepare for the role of Christian Grey.”

First of all, what kind of preparation does this role really require, aside from some careful manscaping and maybe a wild weekend or two of S&M bondage sessions? After all, it’s not like this is Matthew McConaughey starving himself for “Dallas Buyers Club” or Daniel Day-Lewis spending months developing Abraham Lincoln’s voice and mannerisms for Spielberg’s “Lincoln.”

Also Read: ‘Fifty Shades of Grey’ Replacing Charlie Hunnam as Christian Grey

Second, surely Hunnam and his representatives at CAA worked out his “Sons of Anarchy” schedule with the “Fifty Shades of Grey” shoot. An individual familiar with Hunnam’s schedule told TheWrap that Hunnam is slated to finish shooting “SOA” on Oct. 21, giving him three weeks to prepare for “Fifty Shades,” which seems like enough time to get himself in the proper headspace.

Hunnam even told reporters that after reading with would-be co-star Dakota Johnson, he knew he “definitely wanted to do it. There’s just a tangible chemistry between us.” Was he genuinely excited to seduce Johnson on camera or was that just lip service?

See photos: ’50 Shades of Grey’: 20 of the Internet’s Buzziest Casting Choices

Perhaps Hunnam’s abrupt exit from “Fifty Shades of Grey” has nothing to do at all with the media scrutiny that comes along with a high-profile role identifiable with the legion of fans. It’s possible that Hunnam is in the top-secret mix for another tentpole movie that offers him more time to prepare or, quite frankly, is simply a role he would prefer to play more than “Fifty Shades.”

Oddly enough, Hunnam and the “Fifty Shades of Grey” movie come off looking like both winners and losers in this casting debacle.

Yes, Hunnam looks bad for bailing on a commitment and turning his back on a fan base that was coming around on his casting despite an absurd Change.org petition that would settle for nothing less than Matt Bomer as Christian Grey.

Also Read: Inside Charlie Hunnam and Dakota Johnson’s ’50 Shades of Grey’ Casting: Chemistry Tests to the Dotted Line

But if had severe reservations about the role, isn’t it better that he drop out now?

A representative for Hunnam’s agency, CAA, did not respond to multiple requests for comment, referring TheWrap to the carefully-worded statement released Saturday by Universal and Focus on behalf of the filmmakers and Hunnam.

Meanwhile, the “Fifty Shades of Grey” is now more than tainted than it already was, if one thinks Hunnam’s exit signals a lack of confidence in the project and those making it. Perhaps Comcast should’ve waited for cameras to start rolling before firing Universal co-chair Adam Fogelson and well-respected Focus chief James Schamus.

That said, Hunnam’s exit may be the best possible thing to happen for both parties. Not only has Hunnam “dodged a bullet,” in the eyes of many industry watchers, but the quality of the movie itself stands to benefit.

If Hunnam was reluctant to play Grey, that hesitation would certainly manifest itself in his performance. Now Universal and Focus, director Sam Taylor-Johnson, author E L James and producers Michael De Luca and Dana Brunetti can refocus their collective efforts on casting someone who actually wants the challenge of playing Grey — and all the baggage that comes with the part.

Also Read: Charlie Hunnam and Dakota Johnson: Before the ’50 Shades of Grey’ Casting

It’s better Hunnam realizes now that his heart wasn’t in the role of Christian Grey rather than a month into production, which would’ve caused an even bigger problem. Instead, he had the guts to speak up before it was too late.

There’s certainly no shortage of young and handsome hunks in Hollywood who would do almost anything to play Christian Grey. The “Fifty Shades” filmmakers have already started going down the list, hoping to keep the production’s November start date on track. Of course, it will all depend on the availability of the actor chosen to replace Hunnam.

Will that mystery man need more than the three weeks Hunnam would’ve had to prepare for the role of Christian? Only time will tell… and that’s the one thing Universal is running out of if the studio wants to stick to its Aug. 1, 2014 release date for “Fifty Shades.” If the start date is pushed back, perhaps the kinky literary sensation becomes a holiday season release. Stay tuned…

The post How ‘Fifty Shades of Grey’s’ Charlie Hunnam Casting Debacle May Help the Film appeared first on TheWrap.

Related stories from TheWrap:

'Fifty Shades of Grey' Replacing Charlie Hunnam as Christian Grey

'SNL' Spoofs 'Fifty Shades of Grey' Screen Tests Featuring Kristen Stewart, Seth Rogen and More (Video)

What's the Deal? Stop Trying to 'Change' the 'Fifty Shades' Castings - It's Pointless!

Inside Charlie Hunnam and Dakota Johnson's '50 Shades of Grey' Casting: Chemistry Tests to the Dotted Line

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TheWrap: Robin Thicke Has New Competition From ‘DWTS’; Taylor Lautner ‘Boogies’ LACMA-Style (Photos)

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Robin Thicke Has New Competition From 'DWTS'; Taylor Lautner 'Boogies' LACMA-Style (Photos)
Oct 13th 2013, 23:12, by Mikey Glazer

Bandleader Ballas

He doesn’t just dance the flamenco. He plays it too.

Mark Ballas has the pompadour of Robin Thicke (a vestigial style from Ballas’ time playing Ritchie Valens in “Buddy” in the U.K.), but the dancer deserves more hyphens than the current it-boy after his performance on Saturday night.

The “Dancing with the Stars” veteran let Hollywood know he’s a legitimate flamenco-guitar-wielding singer, dancing-bandleader, and unusual for Hollywood on a Saturday night… DJ silencer. Ballas rocked a thirty-five minute set of originals fronting a nine piece band at SBE’s least-SBE venue, The Sayers Club.

Tight and rehearsed, Ballas took over at 11:45 p.m.where a DJ left off, holding a club crowd with complete songs and surprisingly Slash-ish work on acoustic and electric guitar necks.

Refreshingly, it’s not a vanity project.

“I’ve written all the songs,” Ballas told TheWrap after the set.

Ballas says he’s written 40 songs total in which 20 are about “right”, and 7 that are “tight.”

Musicians from Prince, Stevie Wonder, the Dave Matthews Band backed him on stage, while castmates Jack Osbourne, Cheryl Burke, and Derek Hough (waving neon tambourines standing on a couch in the audience) backed him from the crowd on Saturday.

Although it’s not a novelty like “Band from TV” – a group of TV actors garage-banding on the charity circuit -  there’s an innovative reminder of “that guy from TV.” At one point, Ballas drops the guitar mid-song and corrals five buddies for a choreographed dance in the middle of the crowd. They were more in-sync than N’Sync’s walk-through at the VMAs. If the Timberlake analogy fits, Ballas’ “Sexy Back” is show closer “Spank.”

Emerging from a cross-industry blind spot, Sayers Club chief Jason Scoppa booked Ballas after catching his sold out show at the smaller Troubadour, not knowing that Ballas is a name. From working nightlife, he can be excused for missing Ballas mopping the ballroom floor with Kim Kardashian and Bristol Palin (twice) over 13 seasons on “Dancing with the Stars.”

The residency continues every other Saturday night.

Also Working for the Weekend

Fox chief Jim Gianopulos, Ann Gianopulos, Marilyn Katzenberg and Jeffrey Katzenberg arrive for the MPTF fundraiser ‘Hugh Jackman… One Night Only’ at the Dolby Theatre on Saturday night.

 Meanwhile, Jackman's "Prisoners" co-star Maria Bello opened her Santa Monica yard for a screening of political documentary “The Square” (about the Egyptian revolution) on Friday night.

Lawrence Bender, Bello, gallery owner Ray Azoulay and former L.A. nightlife czar Amanda Demme at Bello’s house on Friday night.

 While everyone was watching the Dodgers dive in the N.L.C.S., Kareem Abdul Jabbar signed copies of his new book “Sasquatch in the Paint” at the Barnes & Nobles in the Grove on Saturday afternoon.

Meanwhile in 310-retail, Sarah Hyland let fans take and tag selfies Saturday afternoon with her at Puma's Project Pink breast cancer event on the Third Street Promenade.

Whenever, Wherever

Shakira shakes, and T-Mobile CEO John Legere leads the cheering section.

Until Shakira headlined T-Mobile’s concert Wednesday night in New York’s Bryant Park, I had no idea she had so many hits. Ironically, the one song she bantered as the one that “changed her life,” was the one least well known by the 7000-person strong crowd of lucky subscribers, industry VIPs, and media.

Perez Hilton and Micah Jesse were among the crowd at the early eve set, celebrating T-Mobile’s launch of free international data and texting, a blessing for anyone who’s suffered crushing bills after the Cannes, Toronto, or Venice film festivals.

It was more than a booking pun, considering the former “The Voice” judge’s hit “Wherever, Whenever.” She’s a new spokesperson for the magenta T.

Swizz Beatz was the opening surprise , reminding Manhattan that he wrote many of those Jay-Z anthems they sing along to.

Where’s the Merch-Table?

The Jason Reitman live-read has gone the way of “American Idol” and “Glee.” It’s now on tour.

After a sold-out reading of “Boogie Nights” was the hot ticket last month at TIFF’s opening Friday, Reitman reincarnated the 1997 Mark Wahlberg career-catapult for Film Independent’s Live Read at LACMA. Wednesday night’s cast from left: Kevin Pollak, Jurnee Smollett, Jim Rash, Nick Kroll, Taylor Lautner, Judy Greer, Don Johnson, Nat Faxon, Mae Whitman, Reitman and Jarod Einsohn. Elvis Mitchell took the hero spot.

Lautner, who was born three years after “Miami Vice” went off the air, and Johnson read together.

Follow the Money

If it wasn’t photographed, it didn’t happen.

In the mid-2000′s “Speidi” era, celebrity personal appearance fees at nightclubs skyrocketed. Now, DJ’s  cash checks double the size.

Paris Hilton makes her bid to be the first to bridge the evolution as she spun her first ever state-side DJ set at Create this week, the Hollywood co-venture between SBE and Insomniac geared towards EDM. After dating top-tier DJ Afrojack, Hilton spun a set in Brazil last year, spent the summer in Ibiza, and signed to Lil Wayne’s label, Cash Money.

Taking the stage at 12:30 a.m., after mother Kathy Hilton awkwardly played “hype man” by coming out before Paris to wave and blow kisses, the crowd wasn’t purely gawkers, though the curiosity factor remained high.

She spun an hour of house, sliced with the requisite “Blurred Lines”, buttressed by confetti and smoke cannons (foreground) but no one shadowing or assisting her technically, at least in person. Hilton closed with her new vocal single “Good Time.” The song played as a video as she danced and mouthed the words.  No, she didn’t sing live.

Lil Wayne is featured on the single that released the same day, but was not present for the single release party. Snoop Dogg, a TMZ reporter, and lots of cell phone-camera-wielding hands made the guest list instead.

Men’s Health’s Quarterlife

Men’s Health editor-in-chief Bill Phillips (left) and publisher Ronan Gardiner (right) didn’t make “good body” a requirement for admission to the magazine’s 25th anniversary party on Wednesday night. That’s just the way it worked out.

Dr. Oz, “Graceland” actor Daniel Sunjata, and Taye Diggs toasted 25 years of Men’s Health at the Isola Mondrian Soho. Diggs’ rent-mate Rosario Dawson popped in, as did Audrina Patridge who came over from the Bryant Park event. Patridge is currently without DJ-reinvention plans.

NYFF Spillover

Maggie Gyllenhaal, Liv Tyler and Billy Crudup huddled up at The Lunchbox Fund’s Fall Fête at Buddakan this week.  Some of the same crowd that would show up to Saturday night’s “Her” screening (Joaquin Phoenix, Michael Stipe) dotted the Meatpacking restaurant a few days early for Moet & Chandon hosted-party.

By Thursday, Dawson was back in LA. She hung with Andy Garcia poolside at the Paramour Mansion in Silverlake for a party toasting Garcia’s short film he directed for cognac Martell Caractère. At right, Philippe Guettat with Diego Luna.

Looking Ahead: The 5 Top Invites For the Week of October 14

1. “Dallas Buyer’s Club” L.A. premiere on Thursday, October 17 at the Academy in Beverly Hills. Matthew McConaughey and Jared Leto’s awards-rodeo pulls in to town. The Academy may be buying.

2. Brad Pitt, Robert Redford, Jamie Tisch, and Wallis Annenberg host the inaugural gala for the Wallis Annenberg Center for Performing Arts in Beverly Hills. Jodie Foster, Alessandra Ambrosio, Courteney Cox, Jason Bateman, and Maria Shriver are expected. (Thursday, October 17.)

3. Paley Center Honors FX Networks: FX past and FX present gather for the “Innovation and Excellence Award” on the Fox lot. Suddenly, the ”departed” Charlie Hunnam (Sons of Anarchy, formerly of “Fifty Shades of Grey”) is the biggest get amongst a crowd of Ryan Murphy, Michael Chiklis, and many more. (Wednesday, October 16.)

4. Day by Day Fashion Show: The guys that launched designer sweats with 2BFree are back with a headlining show at L.A. Fashion Week. This is their crowd: Anthony Kiedis once sat front row as Paris Hilton walked the runway (with a ferret on her shoulder), and Samantha Ronson spun in the rain on the Paramount lot. (Tuesday night, October 15.) Full Disclosure: My wife does the p.r.

5. Buzzfeed L.A.’s Office Grand Opening Party: Genuine industry curiosity and fandom make the opening party of their Beverly Boulevard offices cross-industry pull. Note: Buzzfeed is not the reason for this numbered list.

The post Robin Thicke Has New Competition From ‘DWTS’; Taylor Lautner ‘Boogies’ LACMA-Style (Photos) appeared first on TheWrap.

Related stories from TheWrap:

'Gravity' Leaves Tom Hanks' 'Captain Phillips' In Box-Office Wake With Huge 2nd Week

'Fifty Shades of Grey' Replacing Charlie Hunnam as Christian Grey

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TheWrap: Latest ‘Homeland’ Is Last for Celebrated Writer Henry Bromell

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Latest 'Homeland' Is Last for Celebrated Writer Henry Bromell
Oct 13th 2013, 23:17, by Tim Molloy

Sunday’s episode of “Homeland” isn’t just a crucial one for the series, but also a sad moment in television history: It is the last TV episode ever written by Henry Bromell.

Bromell (pictured), who died in March after a heart attack, was posthumously awarded the Emmy for Outstanding Writing last month for writing the Season 2 “Homeland” episode “Q&A.” His wife, Sarah, accepted the award.

Also read: Henry Bromell, Writer-Producer on ‘Homeland,’ ‘Homicide,’ Dies at 65

Bromell also shared the Emmy for Outstanding Drama series with other “Homeland” producers in 2012.

Sunday’s episode is a pivotal one for “Homeland,” because it finally reveals what became of Sgt. Nicholas Brody, MIA for the first two episodes of this season. It takes us to a setting unlike any we’ve seen before, to new highs and new levels of despair. It’s one of the show’s best episodes, and would be a fascinating standalone movie, even if you had never met the characters before.

Also read: ‘Homeland’ Review: Missing a Hand, But Still Fighting

One of Bromell’s two sons, William, helped complete the writing. Father and son share credit for the episode, entitled “Tower of David.”

The elder Bromell worked on a long list of shows, including “Homicide,” “Chicago Hope,” and “Rubicon.”

“Tower of David” was the fifth episode of “Homeland” he wrote.

“Homeland” airs tonight at 9/8c on Showtime.

The post Latest ‘Homeland’ Is Last for Celebrated Writer Henry Bromell appeared first on TheWrap.

Related stories from TheWrap:

Damian Lewis' 'Homeland' Plot to Be Extended on Audible.com

'24' Duo Howard Gordon and Evan Katz Reunite for Legal Drama at Fox

'Simpsons' Spoof 'Homeland' with 'Homerland' (Video)

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Hollywood Elsewhere: Real Love

Hollywood Elsewhere
Movie news and opinions by Jeffrey Wells 
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Real Love
Oct 13th 2013, 06:46, by Jeffrey Wells

Spike Jonze‘s Her (Warner Bros., 12.18) is one of the most delicate, emotionally intimate, fully-in-touch-with-the-zeitgeist movies about love, longing and vulnerability that I’ve ever seen. Some will claim it’s the best film of Jonze’s career, although others will argue that Adaptation and Being John Malkovich are still the champs. The problem is that it doesn’t quite pay off in the third act. Almost but not quite. But the first 90% to 95% is a mature, profound, probing, open-hearted exploration of all the standard phases of a love affair, including the always difficult transition when lovers get past the glorious Phase One and into the complicated who-are-we?, where-is-this-going? stuff. Except it involves only one flesh-and-blood person.

Her is about a nice, slightly dweeby, sensitive writer named Theodore Twombly (Joaquin Phoenix), hurting from a recent divorce, who falls in love with (no joke) a highly brilliant operating system — OS1. A just-released, heuristically programmed, extra-intelligent software with a female voice and a name (Samantha) and a striking ability to emotionally respond and adapt and dig in. A “woman” who’s extremely turned on, who’s hungry to feel and learn and explore and grow.

The relationship between Samantha and Twombly, who writes sensitive, intimate letters for people who lack the ability, is not presented as some pathetic sad-sack tale or something farcical or comedic. It’s on the level — a straight, sincere love story with the all the usual (and a couple of highly unusual) ups and downs. I was saying to myself, “This is really something else…those tweets from New York critics weren’t wrong…I’m really glad that Spike is back in the groove after Where The Wild Things Are.” And it delivers a finely attuned, open-pored performance from the great Joaquin Phoenix and also, surprisingly, a voice-only performance from Scarlett Johansson that may be her most expressive ever. And I was down with Amy AdamsRooney Mara‘s as his ex and Olivia Wilde‘s turn as a blind date.

Her convinced me that it might be interesting and perhaps even nurturing to fall in love with a lady like Samantha. I probably won’t be around when computer technology becomes sophisticated enough for this to happen, but I’d like to be. Not as a substitute for the real thing, but as a kind of ongoing intimate thing on the side. I know that what Phoenix and Johansson go through in Her is just as much of an emotional journey and adventure as any classic love affair you can point to. I was saying to myself, “I could do that.”

Her is set in a very realistic-looking Los Angeles of about…oh, 40 or 50 years hence (and not in the very near future as some critics are saying). Okay, it could be happening in 2050 but not before. L.A. looks like Shanghai. In fact Jonze shot some of it in Pudong, a Shanghai suburb. Some of the cityscapes are first-rate CG, I’m guessing. It looks like a horrible, soulless place to live, halfway between now and Blade Runner but without the acid rain. It’s not a fantasy town. It’s “real” and populated, like today, by great masses of lonely people. But the movie really sinks in. It’s a very romantic ride, although it’s aimed more at the gluten-free, kale-salad crowd than the popcorn eaters.

I suspect that the latter might feel a tiny bit disappointed by the finale. It doesn’t conclude with quite enough punch or lift or finality. Something else needs to happen, and it doesn’t.

But endings aren’t everything. No one will shift in his or her seat during the vast majority of the film’s 119-minute running time. I’ll say again that the current between Phoenix and Johansson is probing and real and flush with the real nectar of love — it really delivers the feeling of an intense affair, and is therefore very relatable.

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