Indie Focus: The Mexican director isn't bothered by the negative responses to the strange film filled with disconnected scenes.
When "Post Tenebras Lux" premiered at last year's Cannes Film Festival, it was mostly met with boos and pans, yet days later Carlos Reygadas won the festival's best director prize. It is that sort of polarized response to his work overall and "Post Tenebras Lux" in particular, that recently lead the critic Tony Rayns to refer to the Mexican filmmaker as "one of the most admired/hated figures in contemporary cinema."
No comments:
Post a Comment