Saturday, October 26, 2013

Deadline.com: Theater Owners To Netflix: You’re The One Trying To Kill Cinema

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Theater Owners To Netflix: You're The One Trying To Kill Cinema
Oct 26th 2013, 23:36, by MIKE FLEMING JR

Mike Fleming

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EXCLUSIVE: NATO president/CEO John Fithian struck back at Netflix chief content officer Ted Sarandos, who today gave the keynote speech at the Film Independent Forum and charged theater owners with potentially killing the movie business by being inflexible with shrinking theatrical windows. Fithian said that if anybody is imperiling the time-tested movie going experience, it is upstarts like Netflix.

“Subscription movie services and cheap rentals killed the DVD business, and now Sarandos wants to kill the cinema as well,” Fithian said. As for Sarandos’ assertion that studios should offer their films on Netflix day and date with theatrical openings, Fithian said that “The only business that would be helped by day-and-day release to Netflix is Netflix. If Hollywood did what Sarandos suggests, there wouldn’t be many movies left for Netflix’s customers or for anyone else. It makes absolutely no business sense to accelerate the release of the lowest value in the chain.”

Netflix is just the latest party to join the ongoing argument over how movie distribution models should evolve, if at all. TV has grown nimble, with cable systems and networks making it easier than ever for audiences to catch shows so that initial air times are almost irrelevant. In the independent film space, multi-platform releasing continues to grow as a viable alternative to a theatrical model which requires a significant P&A spend. The major chains have largely refused to play ball, and often force multi platform distributors to “four wall” screens, instead of the revenue split formula that is usually the way distributors and theaters do business. Many have argued that it is inefficient for studios to spend huge P&A sums to open films in theaters, and then be forced to wait half a year or more, and spend more money to rebuild awareness for the DVD, VOD and pay windows for films that consumers have long since forgotten about. But the last time a studio tried to buck the system, as Universal did on the Brett Ratner-directed Tower Heist, the major film chains banded together and arm-twisted Universal to shut down a limited test that would have offered day and date VOD viewing at a premium price. The theaters are protecting their own business, after having gone to the expense of building and upgrading theaters all over the country.

Related: Netflix Shares Hit New Highs in Q3

Fithian argued that the current system is still very viable. In fact he said summer admissions were up 9%, contrary to what Sarandos claimed in his speech.

“Movie theaters produce the best return for the movie industry, because of pricing and because we collect from every single person watching,” he said. “Netflix produces a minimal return for the movie industry. Smart industry leaders lead with the highest value in the chain.  Ted is biased in favor of Netflix,” said Fithian. “I’m biased in favor of cinema. So look at what the studios are doing. The studios are pushing out the Netflix window for movies, not shortening it.

“I can’t fault Ted for trying,” Fithian told me. “But his ideas on movie release patterns are simply crazy, and they would destroy the movie industry.”

I have a feeling we haven’t heard the last on this volatile topic.

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